Review of History of Love
By Jaci Turner
The History of Love features interrupted
love stories within many different contexts. The relationships created by
Nicole Krauss are dysfunctional which allows readers to connect to their
imperfect characteristics. When asked about the creation of her characters in a
question and answer session at Butler University, Nicole responded that she
starts with a character and then begins to imagine conversations that the
character might have. She said that she writes in almost a stream of consciousness
form, with the end result being a book that is three times the length of the
book that will be published. This thorough process might seem inefficient, but
it allows Krauss to develop characters that seem to be rich with life
experience. Throughout the novel, the characters of The History of Love experience relationships with unresolved
endings.
Leo
Gursky is a survivor of the Holocaust who escaped to New York to pursue his
childhood love, only to find that she has married and has a son. True to one of
his teenage promises, Leo stayed true to her: “Their love was a secret they
told no one. He promised her he would never love another girl as long as he
lived. ‘What if I die?’ She asked. ‘Even then,’ he said” (Krauss 11). Leo loves
Alma his whole life, even though for most of his adult life it was completely
unrequited.
This
is echoed in young Alma’s relationship, or lack thereof, with Misha. Alma is
Misha’s first friend in America, and in many ways, Misha is Alma’s first real
friend as well. Their friendship has much more meaning than many childhood
friendships, Misha and Alma share secrets and insights that seem far beyond
those of a 12 year old, “I told Misha everything. About how my father had died,
and my mother’s loneliness, and Bird’s unshakeable belief in God. I told about
the three volumes of How to Survive in
the Wild, and the English editor and his regatta, and Henry Lavender and
his Phillipine shells, and the veterinarian, Tucci.” These are complex ideas
and feelings, much deeper than what a preteen girl would feel comfortable
sharing with a boy she has just met. When their relationship blossoms into
something more, it is Alma again who flees, following the footsteps of her
namesake generations before. When the story ends, Alma and Misha have not
reconciled - a heartbreaking thought. Alma and Misha’s romance could have left
the reader with hope that they would have the great love story that Alma and
Leo never did.
These
two interrupted love stories, along with many others woven in throughout the
story, show the complexities of love and their long lasting impacts. Alma and
Leo’s romance left many heartbreaks and lifelong regrets, which is why I, as a
reader, ached so much for Alma and Misha’s falling out. They seem to being
following the same path for heart ache, which makes me want to reach out and
show them the mistakes they’re making.
This
is one of Krauss’s strengths as a writer; she develops characters that make the
reader empathize with and reach out to with guidance and support. Young Alma is
like a younger sister that you want to help and give advice to, and Leo is an
interesting uncle that tells stories from the war. Her characters are real
people that bring about real emotions. Even with the complex plot and
intermingled character relationships, the story is easy to follow because the
reader genuinely cares about characters’ emotions and opinions.
No comments:
Post a Comment